A Christmas Carol is my favourite story of all time: to begin with. There is no doubt whatever about that. Quite why I have decided this December to subject myself each day to one of twenty four filmed or animated versions (my offbeat version of an advent calendar) and report on them for my two dear readers is a conundrum not even the all-seeing, all-knowledgeable spirits of Christmas could fathom...or phantom out. It could be the heart-warming timelessness of Dickens' moral tale that keeps studios coming back to this story time and time again, or it could just be that the copyright has long since expired. Wherever possible there are links on each posting to allow you to see the version for yourself. Consider yourself warned, some are better than others!
Showing posts with label Full Length. Show all posts
Showing posts with label Full Length. Show all posts

Wednesday, 23 December 2009

Jim Carrey Stars in 'Disney's A Christmas Carol'


Disney are, of course, no strangers to the concept of adapting the wonderfully copyright-free story of A Christmas Carol, having done so twice before with the wholly animated Mickey's Christmas Carol in 1983 and partly-animated Muppet's Christmas Carol in 1992.  Switching back to full-animation, albeit with effective motion capture techniques first seen on 'The Polar Express' some years earlier, 'A Christmas Carol' is both the studio's first completely non-anthropomorphic version and their best yet.

Proving once again that he has a versatility that stretches beyond puerile mugging and saying "alright-y then", Jim Carrey manages to fox the viewer brilliantly with a wonderfully, crotchety Scrooge.  From his first act -to pay for Marley's undertaking with those pennies intended for his recently deceased's safe passage across the Styx - he comes across as repulsive, warped and irredeemable.  Marley enjoys his revenge, however, with a truly terrifying turn from Gary Oldman as he reveals to the miser his final chance of salvation before rejoining the, now terrifyingly visible, phantoms that roam the city streets tormented by a desire to help but an inability to do so.

Carrey is then, somewhat amusingly, at the mercy of himself as he provides the voices and motions of all three spirits.  Christmas Past is brilliantly captured in all his child-like luminescence while Christmas Present is suitably kind yet firm, once you get past the fact Carrey cannot quite decide if he's playing a character from Yorkshire, Scotland or just simply Brian Blessed.  Only the Ghost of Christmas Future is disappointing with the makers deciding Scrooge should become his plaything, leading to a horrendous and badly-judged chase sequence that sees Scrooge inexplicably miniaturised as he runs from deathly, black horses.  Granted the studio are still very keen to show off their new 3D techniques and the pursuit may perk up any jaded audience members, but this time could and should have been given up to a longer Christmas Present sequence.  Scrooge is already emotionally drained by this point, to the extent that Christmas Future need only point him where to go, he simply does not need to be roughly whipped through the streets too.

However, A Christmas Carol overall, particularly in the 3D version, crams a surprising amount into the running time, offering long, panning shots of dark, Victorian London while delivering virtually every scene from the original text in its mother tongue.  This authenticity is a real testament to the producers and director who have created a real challenger to the seemingly untouchable Alastair Sim 1951 edition in this brilliant version.

This version is in cinemas now in glorious 3D - give yourself a treat and see it today.

A note: You may have noticed that I have not quite managed to keep up the bargain of one Christmas Carol per day during the month of December.  Therefore, I have decided to hold it at twelve for 2009 and resume the challenge in 2010.  Merry Christmas!

Thursday, 17 December 2009

Albert Finney Stars in 'Scrooge'

This 1970 musical is one of the best-loved adaptations of the story, helped in no small part by the wonderful songs of Leslie Bricusse and brilliant central performances by Albert Finney and Alec Guinness as Scrooge and an applause-worthy deadpan Marley.  When the entire company isn't singing in affected Lahndahn accents or waltzing through the set we are also given a generous inclusion of Dickens' original text.  But it's the songs that set this particular adaptation aside from other full-length versions.

Highlights include the deluded Scrooge grumbling and snarling his way through 'I Hate People' as he visits his debtors, 'generously' extending their terms (with added interest of course), the excellent young cast's playful taunts during 'Father Christmas', Old Fezziwig's breathless performance of 'December the 25th' while simultaneously leading a fervent dance routine and the rousing duet 'I Like Life' between the Ghost of Christmas Present and a punch-drunk Scrooge.

Perhaps the best-remembered song of all, however, is the chirpy 'Thank You Very Much' sung by Anton 'Fresh Fields' Rogers as the hitherto unmentioned character of Tom Jenkins, the hot soup man.  The song is, of course, sung somewhat sarcastically upon the news of Scrooge's death during future shadows with the entire supporting cast thanking the miser for his sharp departure.  It's a great device.  The track was eventually nominated for an Academy Award losing out to 'For All We Know' from 'Lovers and Strangers'.

Eagle-eyed cast-spotters will notice a few familiar faces alongside such established actors as Dame Edith Evans (Christmas Past) and Kenneth More (Christmas Present) in Molly Weir (best known to 80's kids as MacWitch from Rentaghost) and the portly gentlemen of charity played by Carry On regular Derek Francis and the much-loved and much-missed Roy Kinnear.

'Scrooge' is by far the best musical adaptation of 'A Christmas Carol' and a definite contender for overall best version yet made.  The main contention fans have is the rather spurious sequence beginning with the point the Ghost of Christmas Future removing his hood (revealing a particularly crap prop skellington) and sending a startled Finney hurtling down into his own grave.  Awakening in hell, he is greeted by a surley Marley and shown his 'amusing' fate.  The scene is saved somewhat by Guinness' outrageous performance and it's perhaps the fact it gives him considerably more screen time that saves this from being one deviation too far.

Part 1: http://www.youtube.com/watch?v=MPV4vSA65YM
Part 2: http://www.youtube.com/watch?v=1HuZxyuNmOk
Part 3: http://www.youtube.com/watch?v=5bvle-girlI
Part 4: http://www.youtube.com/watch?v=OdlsGpXyHNk
Part 5: http://www.youtube.com/watch?v=8-21q5AAOa0
Part 6: http://www.youtube.com/watch?v=HnKBvZInMAM
Part 7: http://www.youtube.com/watch?v=IQ3QnB41k_I
Part 8: http://www.youtube.com/watch?v=Tt0u05Sixtg
Part 9: http://www.youtube.com/watch?v=5Faprjj8EtM
Part 10: http://www.youtube.com/watch?v=64LLOns8AJQ
Part 11: http://www.youtube.com/watch?v=xrvB5kezRZQ
Part 12: http://www.youtube.com/watch?v=HD1EvoBKdQo

Wednesday, 2 December 2009

George C Scott Stars in the 1984 'TV' Version

This version, although rarely shown on television any more, has stood for twenty five years as a favourite of the genre with many rating it as their favourite. While many bemoaned the casting of the American Scott in the title role, few can argue with his performance. Rather than labour the tired caricature and the overstated "Bah! Humbug!" lines, Scott plays Scrooge as crotchety, hard, serious and lonely but not necessarily "evil". As the character demands, he excels in business but not the business of mankind. Moreover, the tone of his "Mr Cratchit!" has yet to be beaten!

The supporting cast are equally impressive with dear, departed Edward Woodward playing the Ghost of Christmas Present perfectly - distributing the milk of human kindness to those deserving and mocking Scrooge with harsh but fair glee. Special mentions must also go out to Roger Rees, hitherto only seen by me as the Sheriff of Rottingham in Mel Brooks' ridiculous 'Robin Hood : Men in Tights' and Brian Pettifer, better known to Scottish audiences as Andra in Rab C Nesbitt.

You can pick this up for a fiver at Play.com - a shrewd bargain that Scrooge himself would approve of.

Here's a sneak preview where Scott's Scrooge teaches David Warner's Bob Cratchit a lesson in duds.